Happy Birthday, Paul Cezanne! (On January 19th)

In honor of Cezanne's birthday, I thought I would REPOST a popular lesson from 2013 that is fun and easy and is appropriate for a wide range of students. The painting below is my youngest son's and was featured in the book "500 Kids Art Ideas" by Gavin Andrews published by Quarry Books. While this is a nice fall-inspired still life, you could change it to pears or lemons/limes for a more winter or spring theme. Either way, the results are fabulous and the lesson is chock-full of active learning.

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We are all into fall over here and I thought this week would be a nice time to do a still life with apples with my after school art class. This is the first time we've met this school year, and the group has 1st-4th graders in it. I had an idea of what I wanted to do, it's actually a combination of two lessons I saw out there:

My 1st grader's example with Cezanne's reproduction.
I can't show you the still life--he ate it!
(UPDATE: He's now in 3rd grade, but still eats still eats everything in sight!)

"Still Life With Oil Pastels and Baby Oil" (2 posts) from Fine Lines
http://kids-finelines.blogspot.com/2012/04/still-life-with-oil-pastels-and-baby.html
http://kids-finelines.blogspot.com/2012/04/oil-pastels-and-baby-oil-part-2.html

That was pretty much the lesson I used, but I modified my talk in the beginning to be about Paul Cezanne's work showing them "Still Life With Apples."

I then used the talk I found on That Artist Women: "Open vs. Closed Composition"
http://www.thatartistwoman.org/2011/09/open-vs-closed-composition.html

I really like how she shows real art examples in her post. I showed those to my kiddos as well.

Then I gave them time to experiment with arranging the apples (and one girl's donated pear) into closed and open compositions. There were three students to a table and the table needed to agree on a composition they liked best.

And then we were off! I walked them through drawing, demoed how to use the oil pastels and baby oil, and gave a quick watercolor demo.

These are their creations! Beautiful! They are so proud (me too!).

Enjoy!

Still Life Self Portraits With 7th Grade

Self portraits can be daunting, but students can express themselves without painting a traditional portrait. This project is based on one that the art teacher at Amherst Middle School, Rachel Rouillard, does with her 7th grade students. Students learn about self-portraits (traditional and non-traditional) and then bring in three objects from home to arrange into a composition and paint. Rachel has the students use acrylic and paint a mini composition (I think 4" square on canvas board, if I remember correctly). With the group of 7th graders I had at the time, I thought I'd try having them use ink, watercolor and colored pencil--I think that combination offers students more control and they can still explore value and color-mixing using paint.

These photos don't seem to do justice to these pieces.
They are really beautiful in person!

We spent a good amount of time sketching and working on composition for these pieces so that they were dynamic. I did not specify the size for the final pieces and there was a nice variety of little compositions and larger ones. The only trouble I ran into with this project was having the students bring in items from home--that just didn't work well for some. I'm not sure how I would work that in the future (perhaps give them the chance to bring objects in, but if they don't they use objects from the classroom?).

Anyway, I was SUPER-impressed by the work the students did. I think some of them were too! Once these were on display, they generated lots of discussion and comments from the middle school students and teachers in the hallway outside of class. ENJOY!

I like the inclusion of body spray in this one. ;-)

Some students preferred to focus on one object at a time.
I like how this student worked the background as well
adding color around each object and a shadow below.

This student also wanted to have the objects separate because he felt they were easier
to read with some space between them. He did a nice job with the details
and these objects have a great deal of personal significance to him.

And here are more of the students' work from the display...

And even more! Finished pieces were mounted onto mat board.
I feel this elevates the work from ho-hum to a finished piece worthy of display
(and preparing work for presentation is one of the National Core Art Standards).

Cezanne's Apples and Composition

We are all into fall over here and I thought this week would be a nice time to do a still life with apples with my after school art class. This is the first time we've met this school year, and the group has 1st-4th graders in it. I had an idea of what I wanted to do, it's actually a combination of two lessons I saw out there:

My 1st grader's example with Cezanne's reproduction.
I can't show you the still life--he ate it!

"Still Life With Oil Pastels and Baby Oil" (2 posts) from Fine Lines
http://kids-finelines.blogspot.com/2012/04/still-life-with-oil-pastels-and-baby.html
http://kids-finelines.blogspot.com/2012/04/oil-pastels-and-baby-oil-part-2.html

That was pretty much the lesson I used, but I modified my talk in the beginning to be about Paul Cezanne's work showing them "Still Life With Apples."

I then used the talk I found on That Artist Women: "Open vs. Closed Composition"
http://www.thatartistwoman.org/2011/09/open-vs-closed-composition.html

I really like how she shows real art examples in her post. I showed those to my kiddos as well.

Then I gave them time to experiment with arranging the apples (and one girl's donated pear) into closed and open compositions. There were three students to a table and the table needed to agree on a composition they liked best.

And then we were off! I walked them through drawing, demoed how to use the oil pastels and baby oil, and gave a quick watercolor demo.

These are their creations! Beautiful! They are so proud (me too!).

Enjoy!

A Class For Me/Mom's Night Out

It's no surprise that, next to the grocery store, the number one place I spend time and money at, is Michael's craft store. There's one just a couple miles from my home and this week I've been there four times. OK, so it's an unusual week for me. I'm balancing a couple of creative projects right now (many of which you'll be seeing in future posts). 

My first acrylic painting in more than 13 years.
Probably not going to hang in a museum, but it makes me smile when I see it!

Anyhow, I was intrigued when I saw that Michael's is now offering acrylic painting art courses by Grumbacher where a student can paint an entire painting in two hours. I browsed the offerings and I really liked the floral painting with daisies in a stoneware pitcher. Now, I haven't picked up my acrylics since college and even then, I had a teacher who constantly dissuaded me from using them. Gosh, I didn't think I was that bad! So I learned to avoid acrylics. But I did like that painting...

Why couldn't I just paint at home, you ask? Chuckle, chuckle, snort!...I have four kids. I'll just keep finding excuses to put it off...(and I do, actually, do a good amount of art in front of them and with them, but trying something I needed to really focus on? You get the idea.)...And sometimes you just need to DO something (especially in New England in the middle of winter!).

So, I enrolled in the Michael's class which was $25 for the class fee and then I spent about $40 on supplies. I thought the class would be step-by-step and that I'd learn techniques and such through little tidbits and anecdotes the instructor would sprinkle in along the way. That wasn't quite the case. She was very relaxed and instead of demonstrating the process she handed out the instructions that Grumbacher gives to the instructors to show the process. Thankfully, I had some experience with painting so I just read the instructions and followed them. The instructor didn't paint, but walked around the room making herself available if we needed her. I asked the instructor questions from time to time if I was stumped, particularly on color mixing or to clarify the process, but otherwise I spent the time painting and gabbing with my friend, Beth, whom I roped into taking the class with me (poor girl!). It wouldn't be a night out unless I had a friend by my side!

So if you are thinking of trying a class: I think the class would be best for children over 12 and grown-ups who want to try acrylic painting in a quick way that offers a good chance for success. As with any course, the instructor could really make or break this experience. Before taking the course, ask around to see exactly how it is run. If you have limited experience, make sure the instructor is hands on and helpful.

It was a relaxing time and I had fun being the student instead of the teacher! I did learn a few things and I increased my confidence with using acrylics. And, I LOVE my new painting!

Springtime Still life

Whew! It's been a busy couple of weeks for me! I've been applying for a teaching job for next year and finishing up my current art class with the home school cooperative. In just a couple of days the co-op will have its Grand Finale and the children from my art class will showcase their artwork! I can't wait! I am so proud of them!


I thought that I'd put a project on here from last year's art class that is perfect for celebrating Spring and Mother's Day: Spring Still life pictures featuring forsythia blossoms. This project can be done by a variety of ages, although little ones might need some grown-up help. This project is from the book, "Kids Art Works," by Sandi Henry--an awesome book. Enjoy!

Just one example of a beautiful forsythia still life!

Background Info:
When I teach this class, I start by having a beautiful arrangement of forsythia blossoms in a vase available in the classroom for the children to look at and touch. I have the children notice how a forsythia blossom is constructed and how it looks up close and far way.

I also like to have a couple of postcards or pictures of still lifes from art history for us to look at and discuss what makes a still life--a type of painting that has as its subject inanimate objects such as fruit, flowers, dishes or food.

Materials Needed:

• 1 9x12" sheet of construction paper either white or light blue for background
• Scissors
• Pencil and eraser
• Glue stick
• Markers, brown for stems and other colors to decorate vase
• Small piece of construction paper for vase (maybe 4x6")
• Yellow tempura paint
• Paper Plate for palette
• Kitchen sponge cut to about 1" long by 1/4" wide

Directions:

1. Cut the vase out of the smaller piece of the construction paper (you can do this by folding the paper and cutting through 2 layers of the paper--good introduction to symmetry). Glue the vase to the along the bottom edge of the larger piece of construction paper so that you have lots of space above the vase for your blossoms.

2. Using the brown marker, draw some stems from your vase into the space above.

3. Place some yellow tempura paint on the tray. Dip your sponge piece into the paint and stamp it gently onto the paper along the stems, creating the forsythia blossoms.

4. If you'd like, use the markers to decorate the vase with designs such as lines, dots, etc.

Voila! A spring still life to brighten up a rainy spring day!