My TpT Store: 3-2-1 Oil Pastels--A How To Video & Graphic Organizer

Hey friends and enemies!

I've been creating some resources that students can use to learn the basics of art supplies. So many times I do the same demos over and over and it would be nice to be able to quickly refer students to a demo in case they missed it or need additional info. 

In a previous post, I explained how my friend Jen pointed me down the road to using the 3-2-1 format for my videos. Once I started thinking of organizing my demos this way, I haven't been able to stop!

Oil pastels are near and dear to my heart. I use them in my own scratch art-inspired work and love how easy they are to use and the bright colors!

3-2-1 Oil Pastels Video and Graphic Organizer

With this resource students will learn: 

• What are oil pastels?
• Three ways to use this art material
• Two cool techniques
• One thing to keep in mind
  
  

The link to the video on youtube.

The handout on my Teachers Pay Teachers Store.

If you use these resources, leave a comment below! I love to hear that people are enjoying my resources. 

Enjoy!

Happy Birthday, Paul Cezanne! (On January 19th)

In honor of Cezanne's birthday, I thought I would REPOST a popular lesson from 2013 that is fun and easy and is appropriate for a wide range of students. The painting below is my youngest son's and was featured in the book "500 Kids Art Ideas" by Gavin Andrews published by Quarry Books. While this is a nice fall-inspired still life, you could change it to pears or lemons/limes for a more winter or spring theme. Either way, the results are fabulous and the lesson is chock-full of active learning.

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We are all into fall over here and I thought this week would be a nice time to do a still life with apples with my after school art class. This is the first time we've met this school year, and the group has 1st-4th graders in it. I had an idea of what I wanted to do, it's actually a combination of two lessons I saw out there:

My 1st grader's example with Cezanne's reproduction.
I can't show you the still life--he ate it!
(UPDATE: He's now in 3rd grade, but still eats still eats everything in sight!)

"Still Life With Oil Pastels and Baby Oil" (2 posts) from Fine Lines
http://kids-finelines.blogspot.com/2012/04/still-life-with-oil-pastels-and-baby.html
http://kids-finelines.blogspot.com/2012/04/oil-pastels-and-baby-oil-part-2.html

That was pretty much the lesson I used, but I modified my talk in the beginning to be about Paul Cezanne's work showing them "Still Life With Apples."

I then used the talk I found on That Artist Women: "Open vs. Closed Composition"
http://www.thatartistwoman.org/2011/09/open-vs-closed-composition.html

I really like how she shows real art examples in her post. I showed those to my kiddos as well.

Then I gave them time to experiment with arranging the apples (and one girl's donated pear) into closed and open compositions. There were three students to a table and the table needed to agree on a composition they liked best.

And then we were off! I walked them through drawing, demoed how to use the oil pastels and baby oil, and gave a quick watercolor demo.

These are their creations! Beautiful! They are so proud (me too!).

Enjoy!

Cezanne's Apples and Composition

We are all into fall over here and I thought this week would be a nice time to do a still life with apples with my after school art class. This is the first time we've met this school year, and the group has 1st-4th graders in it. I had an idea of what I wanted to do, it's actually a combination of two lessons I saw out there:

My 1st grader's example with Cezanne's reproduction.
I can't show you the still life--he ate it!

"Still Life With Oil Pastels and Baby Oil" (2 posts) from Fine Lines
http://kids-finelines.blogspot.com/2012/04/still-life-with-oil-pastels-and-baby.html
http://kids-finelines.blogspot.com/2012/04/oil-pastels-and-baby-oil-part-2.html

That was pretty much the lesson I used, but I modified my talk in the beginning to be about Paul Cezanne's work showing them "Still Life With Apples."

I then used the talk I found on That Artist Women: "Open vs. Closed Composition"
http://www.thatartistwoman.org/2011/09/open-vs-closed-composition.html

I really like how she shows real art examples in her post. I showed those to my kiddos as well.

Then I gave them time to experiment with arranging the apples (and one girl's donated pear) into closed and open compositions. There were three students to a table and the table needed to agree on a composition they liked best.

And then we were off! I walked them through drawing, demoed how to use the oil pastels and baby oil, and gave a quick watercolor demo.

These are their creations! Beautiful! They are so proud (me too!).

Enjoy!

Easy Paper Name Sculpture For DAD

Yep, Father's Day is right around the corner, but don't fret if you haven't made Dear Old Dad a present yet...here's a fun and easy sculpture you can make for him that will look nice on his desk or toolbox (that's how the dads in our family roll). 

This project is based on one I saw on pinterest that had no destination or info--it was pretty much a picture on the internet. I've tried to do it justice, so here's my version. My early finisher students did this one day after painting some other sculptures. I'd say this project takes less than a half an hour to do if you choose an easy word like "dad."I'd love to have my students create multi-leveled sculptures with their entire names (more letters = a more exciting sculpture), but that's for another time!

Paper Name Sculpture For DAD

Supplies Needed:

• 3" x 5" index cards, white on both sides (one for each letter of the name you choose)
• Pencil
• Scissors
• Markers
• Clear Tape
• Mat Board, we used black
• Oil Pastels

Directions:

1. Draw nice, thick letters onto the index cards making them as big as you can (touching all edges of the index card, if possible). Cut out your letters with scissors.

2. Decorate both sides of each letter with markers. Use at least two colors on each side of every letter. Try using different patterns and colors for each letter--have fun!

3. Use clear tape to attach the letters to the mat board so they stand up. Make your letters touch and lean against one another, if you'd like. The more letters you have, the more elaborate your sculpture will be. You can even make your sculpture go up vertically if you have enough letters. Think of building this sculpture like you would build a house of cards with a deck of playing cards, but you can hold the letters together with clear tape (bonus!).

4. Once all of your letters are taped where you'd like them, use the oil pastels or craypas to write a message on the base such as "I Love You!" or "Dad Rocks!" The decorate the rest of the base with the oil pastels with swirls, lines, and patterns.

Now you have a colorful sculpture for Dad! Enjoy!

Some students made sculptures with their initials instead.

And this student made a sculpture for his dog, Lulu!

Kinder Picasso "Hand With Bouquet"

I've been visiting the Kinders at a local school (Clark Elementary in Amherst, NH) once a month doing an art enrichment program. I usually tie in a book or music or fine art (and sometimes all three) to make the experience a rich and multi-layered one. I have absolutely LOVED working with the children--Kinders are so cool. They are up for anything and so smart!

We've done some fall- and winter-themed art, but Spring is here! So I thought we'd create a piece that celebrates warm weather, flowers and color! I'm not a huge Picasso fan, but when I saw the piece "Hand With Bouquet" I immediately thought the children would love it. I experimented a bit with using cut paper and paper muffin liners to make a daffodil bouquet (which came out fine), but then I saw this version on the blog "Splish, Splash, Splatter." Rebecca uses the child's hand print as the hand holding the bouquet--WOW! Now, I'm a mom and anything that has a handprint in it instantly gets a place in my heart (and on the wall). It was a no-brainer--this was gonna happen!

But, I have to say, I was a bit worried about handprints and Kinders and only having a half hour per session...but it went great! We have a small sink in the art room, so I brought in two plastic bins, filled them with water, and had the children wash their hands in those. This allowed all 18 kids (or so) to wash their hands in about 5-7 minutes. I had a grown-up helper at the bins keeping an eye on things-I'm sure that helped!

I am so thrilled with the results and so were the kiddos! This lesson was fun and inexpensive and has a great "WOW" factor. It would be lovely for Mother's Day, too. I particularly enjoyed painting my own hand and then giving each student a high five before they printed their hand on the paper (that allowed me to check that they had covered their entire hand in paint and make sure they placed their hand properly on the page). I think the children thought I was silly-but it was so fun!

Here's how we did these colorful pieces:

Kinder Picasso "Hand With Bouquet"

Supplies Needed:

• One 12" x 18" piece of white construction paper
• Paintbrush
• Paper plate for palette
• Black tempera
• Oil pastels/cray pas (assorted colors, but you'll definitely need green)

Directions:

1. Paint your palm, thumb and fingers with the paintbrush and black tempera paint. Make sure you get a nice coat on your hand and go all the way to the tips of your fingers. Press your hand onto the white paper, leaving a handprint. The handprint should be perpendicular to the page. Now you can wash your hand.

2. Look at the picture of Picasso's "Hand With Bouquet." How does he make the flowers? What shapes does he use? Turn your paper so the thumb is up. Check out the examples to see what I mean. This gives a more realistic idea of the hand "holding" the flowers.

Our inspiration:
"Hand With Bouquet" by Pablo Picasso

I instructed the children to use the craypas to draw a large circle for the center of their flower and then color it in. Then add petals going around the center. Use whatever colors you want, but make 4-5 flowers on the area of the paper above the hand.

3. Then add the stems. They should go from each flower, to the hand, and out the other side. Add a couple of leaves to make your bouquet look realistic.

4. Don't forget to sign your work like Picasso, using a craypas.

Welcome spring!

Mmmmmmm....Tasty Thiebaud Cakes!

I've had this project on the agenda for a couple of years since I saw it at my first NH Art Educator's Association State Conference. This project is from the Art History-inspired Lesson Planning Session I took with Claire Provencher, who is this year's President of the NHAEA.

Some of the tasty cakes in progress. This also shows the handout
I gave each student to make sure they knew all the elements I was expecting:
cake, cake stand, shadow on table.

I had originally planned one one-hour class for this project, but even my speediest student needed the project to continue into another session, so if you are limited on time, you can reduce the number of cakes from 9-ish to 5-ish, to make the project more manageable.

I started class by showing the students a slideshow about Wayne Thiebaud I had found online and I gave each table a handout which had an image of Thiebaud's cakes for reference as well as an example of the elements I was expecting them to have on their papers: cake made from construction paper, cake stand that had been traced on the background paper, then colored, and the shadow from the cake stand that had also been traced on the background paper and colored in.

I also implemented my "AT LEAST TWO COLORS" rule for every piece of this project. Students have to use at least two colors in their cakes, on the cake stand and on the shadows that fall onto the table. Oh, and no black in the shadows. This gets the children thinking about using richer color choices that are more natural and slows them down a bit. I really didn't want them to spend two minutes decorating cakes and throw some black shadows everywhere and call it a day.

I had the children use a combination of crayons (the regular kind) and craypas or oil pastels to decorated their cakes (Claire suggested using construction paper crayons originally, but I didn't have those). The children really enjoyed decorating their cakes, and I was pleasantly surprised by all of the different kinds of cakes they were able to create! I also showed some of the students how to make a half cake and a cake with a slice taken out of it.

Enjoy these tasty cakes!

Tasty Thiebaud Cakes

Supplies Needed:

• One 9"x12" piece of neutral-colored construction paper for a background (cream, white, light blue)
• About ten 3"x 4 1/2" pieces of construction paper, various colors
• Cake template cut from card stock
• Pencil
• Scissors
• Oil Pastels
• Crayons
• Glue stick
• Cake stand template cut from card stock, optional, children could just freehand it

Directions:

1. Trace and cut the cakes from the small pieces of construction paper. If you stack a couple pieces of construction paper, you can cut a couple cakes at once. Don't try to cut all 10 cakes at once with child scissors--your cakes will be messed up!

2. Decorate your cakes with the crayons and oil pastels. Add glazes, sprinkles, nuts, fruit, stripes, polka dots, hearts, etc. The sky's the limit! Use at least two colors on each cake to make them interesting. If you decide to add shadows to your cakes, make sure all of your shadows are going the same way (in the same direction). You can also make some of your cakes missing a slice or even make a half cake just like Thiebaud would do.

3. Once all of your cakes are done, glue them to the background paper.

4. Draw the cake stands below each of your cakes. I suggest drawing all the cake stands at once since they will probably overlap and you'll need to make some decision about which ones are on front and which are behind and that is much easier to do in the pencil phase.

5. Color in the cake stands and add shadows going in the same direction they appear on your cakes.

6. Add shadows from the cake stands onto the table. Again, make sure the shadows are going the same direction as all of your other shadows.

Mmmm-mmmmm! 

Artsonia Ornament Picture How-To

I saw this project on Artsonia and thought my students would love to make this, and guess what? I did too! I made this along side one of my private art students and it was fun and easy and I love the contrast and graphic look of the piece.

Ornaments and Evergreen Picture

Supplies Needed:

• Scraps of watercolor paper 
• A circular object to trace--I used a glass (our circles are about 2 1/2" in diameter)
• Pencil
• Watercolor paints and brushes
• White watercolor pencil or crayon
• Water bucket and paper towels
• Black mat board
• Oil Pastels
• Tacky glue
• Gold and silver Prismacolor colored pencils

Directions:

1. Use the pencil to trace the circular object onto your watercolor paper about four to five times. Trace lightly. It is better to have a couple more circles than you'll use, just in case.

2. Use the watercolor crayon to add the highlights to each of the ornaments.

3. Wet the entire circle of an ornament. Use the watercolors to create juicy, saturated colors on the ornaments, letting the water blend the colors (wet on wet technique). Use your brush to blend the colors into the highlight a bit to soften the edges. Try to use three colors per ornament--choosing colors that are next to each other on the color wheel (analogous) so that they blend nicely. Repeat with all of the ornaments. Let dry.

4. Use the oil pastels to create the branches of the evergreens. I had my student start with the brown part of the branches. Use a chocolate brown first and rough in the branch. Then go over the branch with a lighter brown (like a yellow ochre) for the highlights. 

5. Use the oil pastels to create the needles of the evergreen. Start with a dark emerald green and rough in some of the needles. Then layer on the medium kelly green color for the bulk of the needles. Finally, use a light moss green for the highlights. Remember to make the needles start at the branch and curve toward the tip of the branch, the way real evergreen needles do.

6. Glue the ornaments onto the background. you may need to place a book on top of them to keep them from curling.

7. Use the gold colored pencil to add the top of the ornament (the finial?) and the hook. Use the silver to create a bit of highlight on the gold.

Merry Christmas!

What a Relief! Monet Waterlilies

Last week my Modern Art class created pictures based on van Gogh's "Starry Night" painting. The focus was on little strokes of color and using MANY colors in each section. It seemed to me that a natural next step would be to learn about Monet. With this project, the students could, again, work from a reproduction in order to increase their awareness of the artist's technique and color choices, and build on what they learned last week.

Monet also used little dashes of color in his work. We used oil pastels to create our dashes of color. I told the children that we weren't doing to connect these dashes with watercolor paint like we did last week in our van Gogh pieces--this week they needed to cover the entire surface of their piece with dashes of color. To make this less daunting, I reduced the size of the paper. I also used a nice blue color of matte board as their "base." This way, if a bit of blue poke through between the dashes, it still looked like water.

Monet also used MANY colors in his work. We listed all the colors we saw in the reproductions in front of us and pretty much determined that we could use all of the oil pastels in our kits (they are a collection of 12 colors). I asked them to try to use every color at least once in their backgrounds. This wasn't a set rule (like my three-colors-in-each-section rule of last week), but I wanted them to try MANY colors.

We then created the lily pads and lilies separately and attached them. The children were open to working in this way since the "collage technique" was similar to the van Gogh pieces they had made the week before. The lilies are created using tissue paper "puffs" and stick out from the background. This is not 3D, since we can't completely walk around the piece and see it from all sides, but is called a relief.

I had never done a lesson like this before, but I was VERY happy with it. I love the dashes of color and the bright hues of the oil pastels!

Monet Water Lily Relief

Supplies Needed:

• Reproduction of one of Monet's Water Lily Paintings
• Matte Board scrap in a medium blue (or other watery color), ours were 8" x 10"
• Ruler
• Pencil
• Masking tape
• Oil pastels (ours were "Cray•pas" brand, a set of 16)
• Scrap pieces of poster board or white card stock (for lily pads)
• Scissors
• Scrap bits of tissues paper in a variety of peach, pink, white, yellow colors (three colors at least)
• Clear tape
• Tacky glue

Directions:

1. Use the ruler to create a 1" border around the edge of your matte board--all four sides.

2. Attach pieces of masking tape to the matter board, using your pencil lines as a guide, to create a nice taped "frame" around the edge of the matte board. When you are done, you'll be removing the tape and this will leave a nice clean edge around your piece. **TIP: stick the masking tape strips to your shirt before placing them on the matte board so they loose some of their stickiness and are easier to remove later on.**

3. Begin filling in the background of your piece using the oil pastels. You will want to use little dashes of color--using the end of the oil pastel will give you a nice thick dash. You can change colors and layer dashes over one another. Make sure you aren't scribbling like you do with a crayon--dash, dash, dash...filling in the water and the plants on the edge of the water.

4. Once the background is done, draw three ovals with pencil onto the white card stock. The ovals should be about 1 1/2" wide. These are your lily pads. Fill in the lily pads using at least three colors (ha! I had to say it!). Cut the ovals out and put a little slit in each one coming from one edge into the center. Put aside.

5. Cut or rip three tissue paper squares. They should be of a couple different colors and be around 1 1/2" square. Layer them and pinch the center and give them a twist to make a little "pouf" of tissue paper. This will be your water lily. Insert the twisted tip of the water lily into the slit of the lily pad you created. Tape the point of the tip to the backside of the lily pad with clear tape to secure them together. Repeat with the other lily pads you have created.

6. Put a dab of glue on the back of each lily pad and place them onto the background. If you'd like, you can add some lily pads to the background with oil pastels. This gives the illusion of depth in your picture, but it is not necessary.

Peach-Faced Lovebird in Oil Pastels

About four years ago, my husband was hanging out in his garage with the doors open and in flew this little guy...a peach-faced lovebird! My hubby nabbed him and brought him in to me (no, I didn't believe the bird just FLEW into his shop...). Originally from Africa, this lovebird was far from home showing up in New Hampshire! We put ads in the papers, but never found his owners. "Bird," yep, that's his name, became a part of our family. The children love him and he seems to not mind the noise and activity that four children seem to create.

This isn't my Bird, but he looks just like this!

One of my younger art students loves animals, so I thought drawing Bird would be a great idea! My student had enjoyed working with craypas and baby oil on watercolor paper, so we used that technique. I had downloaded some images of peach-faced lovebirds to have on hand just in case Bird was being tempermental and we set up camp in front of his cage to observe and draw.

Here's my student with our model.

Bird must have loved the attention because he sat there on his perch and looked very handsome! When we looked away too long, he started performing and perching on the side of the cage so he could look upside down at us while we worked. What a great reminder to look at the subject you are drawing more than your paper!

Her drawings came out lovely--here's the final one where she used oil pastels for the bird and then watercolor pencils with a bit of water to soften the edges to create a nice, outdoorsy atmosphere for Bird.

Who would believe a bird could come in such colors!
It's nice to see Bird outdoors instead of behind the bars of the cage.

Lemon Still Life

A couple weeks back I started summer lessons working with a very talented young lady...this little girl is going into third grade in the fall and over the summer we'll be working on refining her drawing skills. I'm so excited to be working with her!

For our first lesson, I decided to have her do a still life with lemons. The lesson was a nice way for us to chat and get to know one another while talking about art concepts such as shape, form, balance, symmetry and so much more! She was very interested in drawing the lemon segments and we had a wonderful discussion about the colors we saw in the lemon peel and the shadows!

Lemons on drawing paper using colored pencils

I had her sketch the lemons using graphite and then add color using watercolor pencils. She could then soften the color by adding water (she didn't want to--she liked the look of the pencil lines).

We finished that up pretty quickly and I introduced her to a new (to me) technique I have been laying around with. We tried out this new technique using just one lemon, to keep it simple. She drew the lemon using craypas, or oil pastels, and then used baby oil on a Q-tip to smudge the colors and blend them. Boy, I remember using turpentine with oil pastels in high school-YUCK! What a smell and mess (at least for this watercolorist!).

She then used watercolor to add a wash of color to the background (the oil pastels act as a resist for the watercolor, so she could just paint over the entire image). She really enjoyed working with that medium and we decided our next lesson would use that technique. I can't wait!

Lemon done using the craypas/baby oil technique on watercolor paper