NH Art Educator's Fall Conference 2016!!

The New Hampshire Art Educators Association's (NHAEA) Fall Conference is one that I look forward to every year--"Clear the calendar! My Conference is coming up!!!" I love to connect with old friends, meet new friends, enjoy a lunch that is made for me and that I don't have to clean up after (hey, I do have four kids!), and get my artsy-ness on!! I purposely sign up for hands-on art making workshop choices. While I love me some lecture on art education theory, I don't get to make art as much as I would like, and art school was a-ways back in time, so any chance I have to create and learn new things I can take back to my classroom, I am game!

Interacting with the art at the Currier Museum...

This year's conference was fabulous and inspiring! It was held at the New Hampshire Institute of Art (NHIA) in Manchester, NH. Keynote speaker NH Artist/Illustrator/Author Marty Kelly spoke about his artistic process and how his multiple "failures" have been useful to his creative process. He urged us as educators to create a "culture of failure" in our classrooms where it is OK to make mistakes and take chances (leading students to further growth, risk-taking, exploration). He suggests that failure is part of the learning process and is essential to learning and growth. He encouraged us to change our attitude about failure as well as our students' attitudes about it as well. He explained that if we are afraid to fail we will be afraid to imagine, innovate, explore, and try. Having a classroom culture where failure is accepted and seen as an opportunity for discussion and growth also allows students to begin to accept advice and criticism and use what is right for them. He says that failure is a "pit stop along the road to success." 

Keynote Speaker: Author and Illustrator Marty Kelly
Photo courtesy: NHAEA website (www.NHAEA.org).

This is particularly useful to me as much of what we do in the middle school art room is moving away from product-focused, cookie cutter art to process-focused, student-centered work where the students are encouraged to problem-solve, explore and make the piece their own. This is a tough transition for some and some students struggle when they do not have a teacher-model to "copy" and are asked to try and explore and adapt. I've often have students come up and ask, "Is this an A? Am I done?" The first couple of times this happened I was floored, now I counter with: "I don't know, are you done? Take a look at the project objectives and talk to one of the other students in class to see if they have suggestions for further improvement (or to see if your piece is "saying" what you want it to say)." To me, this part of the creative process is a gradual release as the students' confidence and skill-level increases, ultimately preparing them for the independence and self motivation that high school will require. 

Session 1: Reinterpreting With Recylables. I went on a mini field trip to the Currier Museum of Art and saw the Mount Washington show that just opened. Mount Washington is the highest mountain in New Hampshire and is known throughout the world for its crazy weather. We went downstairs to classroom and Linn Krikorian taught us how we can use the art and artifacts within the Currier's collection as well as from life and other disciplines and have students reimagine them using recycled materials. Resources were shared for places to get interesting recyclables and for using this idea across the curriculum. Then Megan McIntyre discussed how art can be used to facilitate other ideas across the curriculum such as Science, Math, etc. This is particularly pertinent to me in my art room as I strive to develop lessons that are individualized and cross-curricular in nature. This lesson idea (and its spin-off ideas) will be helpful to me as I encourage the students to observe and reinterpret art and artifacts in class but make them their own. 

My take on a Robert Indiana from the Currier's collection.

Session 2: Structures to Sculpture (Bookmaking) This was a wonderful hands-on session led by Erin Sweeney, professor at NHIA (and her student helper Karen) taught us about a number of book-making techniques and led an open discussion amongst the creative educators present as to how we are currently using these structures within our classrooms and how we could potentially use them even more. Connections to other courses were discussed as well as connections to STEM/STEAM. While the pieces we made weren't complete (just the "bones" of the books and not fully developed within), the examples took the 2D linear idea of "book" and transformed it into 3D sculptural forms (easily!!) that could be used in our teaching in a number of ways (assessment, reflection, student mini portfolios, the documentation of a unit or the transformation of an idea, etc.). This was a VERY relevant workshop in that it allows a student to move from 2D to 3D in a seamless and accessible way while allowing them to reflect on a process or subject matter and use the 3D model-making techniques that we strive to teach them in class. This will definitely be applied to my future 7th and 8th grade classes next trimester! 

Busily working at the Structures To Sculpture Session led by Erin Sweeney.
Photo courtesy: NHAEA website (www.NHAEA.org).

After our sessions, we met back in the mail hall for closing remarks, a raffle (nope, didn't win anything this year), and a wine a cheese reception sponsored by NHIA. I went away physically tired, but rejuvenated and with so many great ideas that I can bring back to my students!

And here are some other images from the Currier workshop--the art of my classmates. ENJOY!

Grade 6 Oil Pastel Fauve Landscapes

Well, I fell in love with these great oil pastels I found in art room of the middle school I was working at. They are chunky and water soluble--Um, hello!?! Water soluble OIL pastels? I do not understand the mysteries of the world, but I must say, my students and I used the bejeebies out of these last semester! 

This shows the stages of the project: Image selection, simplified sketch
and completed Fauve Landscape.

One great project the 6th graders worked on was Fauve landscapes. I have posted a Fauve Landscape project before which was more technical and science-oriented since it involved afterimages and such (check it out here--it makes a grew STEAM project). But this time, I went with a simpler version that still allowed the students to learn about the Fauves and color theory. These came out beautiful and made a wonderful display, but I didn't get a picture of them all together (I know, I can't believe it). Trust me, they are awesome and beautiful. :-)

Here's how it worked:
Students looked through the magazines in the classroom for three landscapes they liked that they thought would work to simplify--these oil pastels don't do detail well. The students met with me and we discussed their choices and they selected one to take to final. They could then simplify the landscape on newsprint using a grid format (or freehand it if they preferred).

Once they were done their draft, I had them transfer the image to a poster-weight paper. I thought that would hold up well. However, you could probably use white drawing paper. Students were encouraged to use at least two colors in each section of their drawing using blending. We had talked about color theory, warm/cool colors and atmospheric perspective so they could make great color choices. Once all of the sections of their landscape were complete, they could use a dark-colored pastel to outlines the sections (similar the some of the Fauve artists).

When done, the finished pieces were glued to a black mat (black paper cut 2" larger than the work). This really made the colors seem so bright and also made the pieces look more finished. Matting work just makes it seem more special.

Ta-da! Beautiful Fauve Landscapes! ENJOY!

Sculpture with Grade 5? It's a piece of cake!

The school I was substitute teaching at was celebrating its 40th birthday while I was there. Naturally, I had to have the students create some yummy cake-themed art in celebration! I decided on a Wayne Thiebaud theme for two of the grades. Grade 5 made these awesome 3D papier mache and collage cakes frosted with (get ready) shaving cream mixed with Elmer's glue. Yeah, I know, kind of crazy--but it was AWESOME!!!

Let's get ready to PARTY! Cakes, cakes & more cakes!! YUM!

I got the idea for these cakes from Mrs. Hahn at Mini Matisse and the students had a blast creating these. This was a great project because it used up lots of little bits of paper, sequins, beads and more and allowed the students TONS of creativity. We received so many compliments on them and they truly looked good enough to eat! Definitely a keeper!

ENJOY!!

REPOST: Symmetrical Paper and Clay Butterflies

It's been a long summer here in New Hampshire--my kiddos have been on break since June 10th and don't start school again until September 8th--WOW! So, the long and lazy days of summer need some crafting with mom time. Here's a butterfly that Little Miss did today. This is a post from back in September of 2012, but it's a good one--very fun (and shhh....educational too!). ENJOY!

And here's the original post:

Do you know some students who are studying butterflies? This is a great project for children in Kindergarten and elementary school. You can work in so many great concepts with this project: parts of an insect, symmetry, pattern, and more.

I started by having my students cut out the wings and design them and then I walked them through the making of the butterfly body. We finished up by adding the details such as antennae and legs. I really enjoyed this project because it taught science and art concepts, but it also because it allowed the students some self expression; a win/win in my book!

Clay Butterfly With Paper Wings

Supplies Needed:

• One 6" x 9" piece of construction paper for the wings (light color)
• Pencil with eraser
• Scissors
• Assorted markers
• Model Magic by Crayola (about the size of a chicken egg), whatever color you want
• 3 pipe cleaners (chenille stems), whatever color you want

Directions:

1. Fold the construction paper in half the short way (hamburger or taco fold).

2. Arrange the construction paper so the fold is on the left. Draw a capital letter "B" on the paper extending it so the top and bottom of the "B" touch the top and bottom of the paper.

3. Cut out the "B" shape, but don't cut the middle line (in between the upper and bottom bumps). Write your name on the paper and open it up so your name is face down. These are your butterfly wings.

4. Decorate the wings with whatever designs you would like: big dots, little dots, lines, etc. I showed a couple of butterfly books to the children before they started drawing. I asked them to make their designs symmetrical, or the same on both wings.

5. I then gave each child a ball of Model Magic the size of a chicken egg. I had them pull off a piece and roll it into a 3/4-1" ball. This is the butterfly's head. Place this ball of dough at the top of your butterfly's wings and press down slightly.

6. Divide the remainder of the dough in half (two equal parts). Form he first into a ball. This is the thorax for your butterfly. Place this ball of dough below your butterfly's head on the wings and press down slightly.

7. Roll the remainder of the dough into a hot dog shape about 3" long or so. This is the abdomen of your butterfly. Place this ball of dough below your butterfly's thorax on the wings and press down slightly.

8. Use scissors to cut each pipe cleaner into three equal sections. Poke 2 pipe cleaner pieces into the butterfly's head as his antennae. Wrap another pipe cleaner piece into a coil and poke it into the head for the butterfly's proboscis.

9. Poke the remaining 6 pipe cleaner pieces into the butterfly's thorax (3 on one side, 3 on the other). These are the butterfly's legs.

You're done! Enjoy your colorful butterfly!

I made an ART-Bot!

In the early part of December, I attended the Christa McAuliffe Technology Conference in New Hampshire. This was my second time attending (the first time I wrote about here).

I attended a slew of great sessions, most of them classroom/lecture-type but the first was a hands-on exploration workshop where we could create Sribble Bots (robots that scribble). These Scribble Bots are called a variety of things online such as Scribbling Machines and VibroBots (because of the way they move and shake).

The sponsor for the session was the awesome Montshire Children's Museum in Norwich, Vermont. If you live nearby, it's worth the drive. I'd go during the warmer months when they also have their outdoor water exhibits open and the kiddos can splash and play outside. However, the museum is cool anytime and has trails and TONS of great activities and exhibits going year-round.

They have visitors create these Scribble Bots as part of one of the Maker-classes they offer and, I hear, they offer kits in their gift shop for people to buy and take home if they want the scribbling to continue!

The folks from the Montshire brought everything we needed to create a Scribble Bot (see images) and had directions posted. I just followed the directions, fiddled a bit, and built my own. It was lots of fun and would be a great STEM to STEAM project. I named my Art-Bot "Jackson" after Jackson Pollock, and you could connect his work and the work of other great artists who used various, innovative mark-making techniques. It might also be neat to have students explore different ways their bodies could make marks (their feet, their elbows, etc.) or various tools they could use to make marks (fly swatters, paint-filled balloons, homemade paintbrushes or found-object stamps). The sky's the limit!

This person made her Scribble Bot to look like a kitty
and it created perfect circles over and over--amazing!
My Art-Bot just shook all over and scribbled furiously :-)